{"id":4536,"date":"2010-01-06T14:49:23","date_gmt":"2010-01-06T17:49:23","guid":{"rendered":"http:\/\/multiplot.wordpress.com\/?p=4536"},"modified":"2010-01-06T14:49:23","modified_gmt":"2010-01-06T17:49:23","slug":"screenshots-o-quimono-escarlate-the-crimson-kimono-samuel-fuller-1959","status":"publish","type":"post","link":"http:\/\/multiplotcinema.com.br\/antigo\/2010\/01\/06\/screenshots-o-quimono-escarlate-the-crimson-kimono-samuel-fuller-1959\/","title":{"rendered":"Screenshots! &#8211; O Quimono Escarlate (The Crimson Kimono &#8211; Samuel Fuller, 1959)"},"content":{"rendered":"<p style=\"text-align:justify;\">T\u00e1, olhem isso por um instante. Eu tive at\u00e9 pena de diminuir as imagens (clique pra ver em tamanho original). Reparem na propor\u00e7\u00e3o da figura central para o resto do quadro, como a sombra se desprende do corpo nas duas primeiras imagens, como ele parece encar\u00e1-la na segunda, e como a sequ\u00eancia da sa\u00edda do hotel parece pintada \u00e0 m\u00e3o, como cada detalhe de postura \u00e9 importante, como o conflito se esclarece inteiro em alguns poucos gestos e como Samuel Fuller \u00e9 mesmo um dos maiores de todos.<\/p>\n<p style=\"text-align:center;\"><a style=\"text-decoration:none;\" href=\"http:\/\/img52.imageshack.us\/img52\/7914\/vlcsnap2010010614h54m28.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img229.imageshack.us\/img229\/7914\/vlcsnap2010010614h54m28.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a> <a style=\"text-decoration:none;\" href=\"http:\/\/img215.imageshack.us\/img215\/4377\/vlcsnap2010010614h45m19.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img98.imageshack.us\/img98\/4377\/vlcsnap2010010614h45m19.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a> <a style=\"text-decoration:none;\" href=\"http:\/\/img412.imageshack.us\/img412\/7326\/vlcsnap2010010614h45m32.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img525.imageshack.us\/img525\/7326\/vlcsnap2010010614h45m32.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a> <a style=\"text-decoration:none;\" href=\"http:\/\/img412.imageshack.us\/img412\/5641\/vlcsnap2010010614h45m37.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img237.imageshack.us\/img237\/5641\/vlcsnap2010010614h45m37.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a> <a style=\"text-decoration:none;\" href=\"http:\/\/img141.imageshack.us\/img141\/2235\/vlcsnap2010010614h45m41.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img340.imageshack.us\/img340\/2235\/vlcsnap2010010614h45m41.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a> <a style=\"text-decoration:none;\" href=\"http:\/\/img46.imageshack.us\/img46\/358\/vlcsnap2010010615h22m32.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img525.imageshack.us\/img525\/358\/vlcsnap2010010615h22m32.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a><a href=\"http:\/\/img442.imageshack.us\/img442\/4826\/vlcsnap2010010615h22m43.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img98.imageshack.us\/img98\/4826\/vlcsnap2010010615h22m43.jpg\" alt=\"null\" width=\"495\" height=\"281\" \/><\/a><\/p>\n<p style=\"text-align:left;\">4\/4<\/p>\n<p style=\"text-align:right;\"><em>Luis Henrique Boaventura<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u00e1, olhem isso por um instante. Eu tive at\u00e9 pena de diminuir as imagens (clique pra ver em tamanho original). Reparem na propor\u00e7\u00e3o da figura central para o resto do quadro, como a sombra se desprende do corpo nas duas &hellip; <a href=\"http:\/\/multiplotcinema.com.br\/antigo\/2010\/01\/06\/screenshots-o-quimono-escarlate-the-crimson-kimono-samuel-fuller-1959\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[2526,870,875,1693,2042,2265],"class_list":["post-4536","post","type-post","status-publish","format-standard","hentry","category-screenshots","tag-cinema","tag-film-noir","tag-filmes","tag-o-quimono-escarlate","tag-samuel-fuller","tag-the-crimson-kimono"],"_links":{"self":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts\/4536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/comments?post=4536"}],"version-history":[{"count":0,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts\/4536\/revisions"}],"wp:attachment":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/media?parent=4536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/categories?post=4536"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/tags?post=4536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}