{"id":4423,"date":"2009-11-04T16:12:06","date_gmt":"2009-11-04T19:12:06","guid":{"rendered":"http:\/\/multiplot.wordpress.com\/?p=4423"},"modified":"2009-11-04T16:12:06","modified_gmt":"2009-11-04T19:12:06","slug":"screenshots-nastassja-kinski-em-a-lua-na-sarjeta-jean-jacques-beineix","status":"publish","type":"post","link":"http:\/\/multiplotcinema.com.br\/antigo\/2009\/11\/04\/screenshots-nastassja-kinski-em-a-lua-na-sarjeta-jean-jacques-beineix\/","title":{"rendered":"Screenshots!: Nastassja Kinski em A Lua na Sarjeta (Jean-Jacques Beineix)"},"content":{"rendered":"<p style=\"text-align:justify;\">Talvez apenas no pr\u00f3prio Femme Fatale, do De Palma, essa institui\u00e7\u00e3o sagrada do film noir tenha sido tratada com tanta devo\u00e7\u00e3o como em a Lua na Sarjeta, encarnada aqui pela inacredit\u00e1vel Nastassja Kinski. O cuidado de Beineix \u00e9 o mesmo: captar o corpo, l\u00e1bios, olhos, cabelos, e rearranj\u00e1-los do outro lado da lente na forma estonteante de uma deusa.<\/p>\n<p>*texto: <a href=\"http:\/\/multiplotcinema.com.br\/antigo\/2009\/04\/14\/a-lua-na-sarjeta-la-lune-dans-le-caniveau-%e2%80%93-jean-jacques-beineix-1983\/\">A Lua na Sarjeta<\/a> (Jean-Jacques Beineix, 1983) \u2013 Luis Henrique Boaventura<\/p>\n<p style=\"text-align:center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img255.imageshack.us\/img255\/4882\/69303436.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img264.imageshack.us\/img264\/3235\/89033233.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img257.imageshack.us\/img257\/9402\/19516282.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img14.imageshack.us\/img14\/6154\/63850294.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img231.imageshack.us\/img231\/7415\/99135863.jpg\" alt=\"null\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img406.imageshack.us\/img406\/2844\/17375511.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img99.imageshack.us\/img99\/3569\/27293548.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img517.imageshack.us\/img517\/9419\/80095295.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" style=\"margin-top:2px;margin-bottom:2px;border:2px solid black;\" src=\"http:\/\/img262.imageshack.us\/img262\/624\/81486766.jpg\" alt=\"null\" width=\"495\" height=\"210\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Talvez apenas no pr\u00f3prio Femme Fatale, do De Palma, essa institui\u00e7\u00e3o sagrada do film noir tenha sido tratada com tanta devo\u00e7\u00e3o como em a Lua na Sarjeta, encarnada aqui pela inacredit\u00e1vel Nastassja Kinski. O cuidado de Beineix \u00e9 o mesmo: &hellip; <a href=\"http:\/\/multiplotcinema.com.br\/antigo\/2009\/11\/04\/screenshots-nastassja-kinski-em-a-lua-na-sarjeta-jean-jacques-beineix\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[81,422,2526,875,1172,1558,2529],"class_list":["post-4423","post","type-post","status-publish","format-standard","hentry","category-screenshots","tag-a-lua-na-sarjeta","tag-caps","tag-cinema","tag-filmes","tag-jean-jacques-beineix","tag-nastassja-kinski","tag-screenshots"],"_links":{"self":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts\/4423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/comments?post=4423"}],"version-history":[{"count":0,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/posts\/4423\/revisions"}],"wp:attachment":[{"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/media?parent=4423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/categories?post=4423"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/multiplotcinema.com.br\/antigo\/wp-json\/wp\/v2\/tags?post=4423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}